同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？
Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?
模仿橡树的斐波那契布局模式，我设计并制作了自己的测试模型。
I designed and built my own test model, copying the Fibonacci pattern of an oak tree.
因此我是在最不容易收集太阳光的环境下进行的斐波那契布局测试。
So I was testing the Fibonacci pattern under the most difficult circumstances for collecting sunlight.
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