同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？
Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?
模仿橡树的斐波那契布局模式，我设计并制作了自己的测试模型。
I designed and built my own test model, copying the Fibonacci pattern of an oak tree.
因此我是在最不容易收集太阳光的环境下进行的斐波那契布局测试。
So I was testing the Fibonacci pattern under the most difficult circumstances for collecting sunlight.
斐波那契设计最适宜用于博客和杂志页面布局。
A Fibonacci design is best suited to blogs and magazine layouts.
生物进化选择了斐波那契布局帮助树木跟踪在天空中不断移动的太阳，让树木即使在最茂盛的森林中也能尽量多地收集阳光。
Evolution chose the Fibonacci pattern to help trees track the sun moving in the sky and to collect the most sunlight even in the thickest forest.
斐波那契布局让橡像木这样的植物在太阳在天空中移动的情况下在收集太阳光上具有竞争力。
The Fibonacci pattern gives plants like the oak tree a competitive edge while collecting sunlight when the Sun moves through the sky.
另外我还观察到斐波那契布局模式可以帮助避免同一棵树的枝叶间的相互遮挡。
Plus I observed that the Fibonacci pattern helped the branches and leaves on a tree to avoid shading each other.
这可能正是为什么斐波那契布局出现在高海拔落叶树种中。
This is probably why the Fibonacci pattern is found in deciduous trees living in higher latitudes.
有了斐波那契布局有助于收集日照的证据，但是现在我返回来要明白为什么这种布局更有效。
I had my first evidence that the Fibonacci pattern helped to collect more sunlight. But now I had to go back and figure out why it worked better.
即使在被遮挡的情况下，斐波那契布局模式让部分太阳能电池仍然能够收集到阳光。
The Fibonacci pattern allowed some solar panels to collect sunlight even if others were in shade.
你可以根据斐波那契序列的数字来安排不同的页面布局方式。
You can arrange the layout in different ways according to Fibonacci Numbers.
这个布局的夹角约为137度而斐波那契分数为2/5。
The pattern was about 137 degrees and the Fibonacci sequence was 2/5.
基于斐波那契序列页面布局设计的缺点在于：如果你得到的是一个特定固定的尺寸宽度（例如1000px），那么就很难使用这种方法了。
The downside of layouts based on the Fibonacci sequence is that it’s difficult to use it if you are given certain fixed width layout dimensions (e.g.
其它一些树木的斐波那契布局分数还有榆树（1/2)；榉木（1/3）；柳树（3/8)和杏树（5/13）（Livio，Adler）。
Other trees with the Fibonacci leaf arrangement are the elm tree (1/2); the beech (1/3); the willow (3/8) and the almond tree (5/13) (Livio, Adler).
现在我正在测试其它的斐波那契枝叶布局模式。
为什么不同的树种中有不同的斐波那契布局模式存在？
我知道树枝和树叶收集太阳光用以光合作用。于是我的下一个试验便是调查是否斐波那契布局模式有助于此。
I knew that branches and leaves collected sunlight for photosynthesis, so my next experiments investigated if the Fibonacci pattern helped.
德波顿说，规划良好的城市大都布局紧凑。但是，许多大城市在二十世纪后期都开始向外延伸、建设郊区，这些郊区与世隔绝、毫无生机，却又浪费资源。
Good cities are compact, DE Botton says. Through the later decades of the 20th century, many big cities built suburbs that lead to isolation, soulless sprawl, and wasted resources.
如果你来到印第安纳波利斯参观，你会发现自己可以很轻松的找到自己想去的地方。因为这里大多数的街道布局好比棋盘一样。
If you visited Indianapolis you would be able to find your way around easily because most of the streets cross each other like a chessboard.
如果你来到印第安纳波利斯参观，你会发现自己可以很轻松的找到自己想去的地方。因为这里大多数的街道布局好比棋盘一样。
If you visited Indianapolis you would be able to find your way around easily because most of the streets cross each other like a chessboard.
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