这部书一直回溯到文艺复兴时期佛罗伦萨的历史。
The book ranges historically as FAR back as the Florence of the Renaissance.
从希腊到文艺复兴时期,对流体理论的理解,包括声音是如何通过流体传播的,并没有多大的进展。
The understanding of the theory of fluids including sound propagation through them made little progress from the Greeks to the Renaissance.
到18世纪,文艺复兴时期的宫殿早已经开始破裂了。
By the 18th century, Renaissance palaces had plenty of time to start falling apart.
But then of course, the rise of the Enlightenment is also the rise of anthropocentrism, and by the time the Enlightenment is in full cry you get everybody from Blake to Marx to Nietzsche saying not that God invented man, but that man invented God.
但当然,文艺复兴的兴起也是人类中心说的兴起,到文艺复兴的繁盛时期,从布莱克到马克思到尼采,每个人在说不是上帝发明了人类,而是人类发明了上帝。
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