除了丝绸，玉、陶瓷和铁也西进罗马。
以20世纪的眼光来看，中国的陶瓷似乎也仅仅用于装饰。但对中国人来说，每件物品的样式和其装饰都具有内涵和意义。
To twentieth-century eyes, Chinese pottery may appear merely decorative, yet to the Chinese, the form of each object and its adornment had meaning and significance.
我们也试图在材料方面进行“多元混合”——展物的质地有珠饰品、金属、木材、象牙、玻璃、纺织品、陶瓷等等。
We also seek to “mix it up” in terms of materials – beadwork, metals, wood, ivory, glass, textiles, ceramic, and so on.
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