随着主体人物的运动，我们再将周围的环境慢慢的引入到镜头之中。
With the movement of the main characters, we will gradually introduce the environment around the lens.
这是第一张以有意的人物为其主体的照片。
This is the very first photograph that intentionally has a human as its main subject.
通过以上这些颠覆性叙事策略，典型人物的历史主体身份受到了消解。
By these subverting narrative strategies, the typical character 'historical status as main body has been dispelled.
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