随着主体人物的运动，我们再将周围的环境慢慢的引入到镜头之中。
With the movement of the main characters, we will gradually introduce the environment around the lens.
这是第一张以有意的人物为其主体的照片。
This is the very first photograph that intentionally has a human as its main subject.
通过以上这些颠覆性叙事策略，典型人物的历史主体身份受到了消解。
By these subverting narrative strategies, the typical character 'historical status as main body has been dispelled.
文艺作品无论描写“对象的人”，还是表现“主体的人”，都应该遵守人的本质的二重性原则，从而确保人物的真实性、丰富性。
The work of literature and art should abide by The duality of humanity to assure people's reality and be plenty in description of the objective and subjective people.
“三部曲”中人物的主体性、结构的对话性和开放性彰显了复调艺术的魅力。
The characters in the subject, the open dialogue in the structures of the "trilogy" underlines the charm of the polyphonic art.
在这部小说中，人物的意识流动、汇合不仅成为作品的表现主体，而且还改变了作品的结构。
Stream and the confluence of consciousness of characters not only becomes the main part to present the novel, but it has also changed the writing structure.
法官是司法的主体，是法律世界的中心人物。
Judges are the subject of judicature and the central figure of legal world.
创作题材的多样化、对话建构小说的主体、讽刺手法的灵活运用以及边缘化人物形象的塑造等等组合出富有特色的王朔作品。
The diversification of the subject matter, subject, flexible application of irony, and marginalized personage image compose Wang Shuo's characteristic work.
语篇视角是在叙事者的话语现实中嵌入的主体(人物)视角。
Discourse perspective is the embedded viewpoint of subject in narrator's reality space in narrative discourse.
他的诗歌中的女性人物缺乏主体性和真实感，折射出拜伦对女性的矛盾心态。
His poetry, and the main female characters lack realism, refraction of Byron female ambivalence.
本文试以法国心理学家雅克·拉康的主体理论来阐释这些人物的心理嬗变过程。
The purpose of this thesis is to delve into the process of"evolution"from personal and social angles in the perspective of Lacan's Theory of Subject.
他的歌剧以社会性的题材，人物形象和剧情的真实简单，旋律与剧情的紧密结合，歌唱的主体线条和起伏跌宕优美动人旋律而著称。
His opera by social theme, character image and plot real simple, the melody and the plot close union, sings the main body line and the fluctuation unconstrained exquisite moving melody are famous.
众所周知，对人物传记片的评价离不开作者自身的艺术风格与主体意识。
As we well known, the judge of film biography does not leave the auctorial art style and consciousness of main body himself.
第二章是关于作为主体的人与作为客体的物质世界之间的矛盾。第三章是关于人物个体与他们信仰之间矛盾的分析。
Chapter two is about the analysis of the conflicts between the individual as subject and the material world as object.
其三，中庸又忧怀的文人心态和现实精神构成了中国人物画无表情状态的主体因素。
Third, scholars'mind with the state of mean and worry and their realistic spirit are the principal factors of the expressionless state of traditional Chinese figure paintings.
在小说创作中，小说家通常把写作重心放在对参战主体（即男性士兵）的刻画上；文学批评家们通常集中研究的对象也是男性人物而非女性形象。
Those fictionists usually focus on the portrayal of male soldiers, who are the majority in wars and critics also center their research on the male characters instead of woman images.
八十年代的先锋小说，在进行“非人化”叙事时，人物的主体性非常明显地体现出客体化的倾向。
The subjectivity of the character shows the tendency of objectification very obviously when the avantgarde novels during the 1980s' express the dehumanization narration.
人物对话是戏剧文学的主体文本；
本文主体由三部分构成：第一章，人物论。
《人物》栏目以纪录片为主体形态，利用人物口述、丰富的影像资料和适度的细节再现等多种拍摄手法，来展现人物的经历。
PEOPLE"resorts to documentary to form the base of the program, uses many methods like nuncupation, image data, detail emersion to show the lives of the ones in the story."
《人物》栏目以纪录片为主体形态，利用人物口述、丰富的影像资料和适度的细节再现等多种拍摄手法，来展现人物的经历。
PEOPLE"resorts to documentary to form the base of the program, uses many methods like nuncupation, image data, detail emersion to show the lives of the ones in the story."
应用推荐