玻璃既在中世纪参与了教堂的神话特征，也在消费时代参与了橱窗这一世俗神话。
Glass, once a characteristic representation of the medieval church myth, now is building a secular legend with fashion Windows for the consumption era.
传统与现代、艺术与商业、主流与边缘在整合与圆融中建构当代电影的新世俗神话，通过“泛审美”的美学关联，实现艺术与大众、市场的良性互动。
Then, new mortal mythology occurs by combining tradition and modernity, art and commerce, mainstream and marginality, so as to lead art in a favorable cycle.
从世俗的层面上看，神话中包含着一种世俗精神，即热爱生活，追求幸福，执著于作为人的合理愿望。
From the worldly perspective, mythology contains a kind of worldly spirit, namely, to love life, seek happiness, and persevere in man's reasonable wish.
应用推荐