玻璃既在中世纪参与了教堂的神话特征,也在消费时代参与了橱窗这一世俗神话。
Glass, once a characteristic representation of the medieval church myth, now is building a secular legend with fashion Windows for the consumption era.
传统与现代、艺术与商业、主流与边缘在整合与圆融中建构当代电影的新世俗神话,通过“泛审美”的美学关联,实现艺术与大众、市场的良性互动。
Then, new mortal mythology occurs by combining tradition and modernity, art and commerce, mainstream and marginality, so as to lead art in a favorable cycle.
从世俗的层面上看,神话中包含着一种世俗精神,即热爱生活,追求幸福,执著于作为人的合理愿望。
From the worldly perspective, mythology contains a kind of worldly spirit, namely, to love life, seek happiness, and persevere in man's reasonable wish.
他建立一个世俗的南非荷神话是呼应了深刻的社会现实主义。
He builds an Afrikaner mythology of mundanity that echoes a realism of social profundity.
在这里,女娲神话及女娲文化完全被日常化、糊口化、世俗化、地域化和节令化了。
Here, Nuwa myths and NuwaCulture are closely connected with People's Daily activities, lives, customs, and local festivals.
中国古代礼仪是发生在世俗世界的神圣叙事,在仪式的背后,隐匿着潜在的神话信仰和神话思想。
The manners and rites of ancient China are the sacred narration, which happened in the earthly world.
正如巫鸿所说,荣荣具有一种独特的能力,他能置身于世俗的现实之外,并赋予其周围环境一种神话般的氛围。
Rong Rong is unique in his ability to endow his immediate surroundings with a mythical atmosphere that leaves mundane reality far behind.
正如巫鸿所说,荣荣具有一种独特的能力,他能置身于世俗的现实之外,并赋予其周围环境一种神话般的氛围。
Rong Rong is unique in his ability to endow his immediate surroundings with a mythical atmosphere that leaves mundane reality far behind.
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