This article is divided four parts to elaborate on technique reality and art reality of Photographic art.
本文分四个部分对摄影技术真实和艺术真实进行循序渐进的论述。
Starting with his non-identity thinking, it treats of the negative dialectics between people and society, reality and art so as to clarify the social critical function of art.
从阿多诺非同一性的思维方式入手,展开人与社会、现实与艺术之间的否定辩证法,阐释艺术的社会批判功能。
Baudelaire regarded photography as "a very humble servant of art and science"; a medium largely unable to transcend "external reality".
波德莱尔认为摄影是“艺术和科学的一个非常卑微的仆人”;是一种很大程度上无法超越“外部现实”的媒介。
But what of it? Think as long as you can though the artist throw out the negativism in reality by means of his art. And so he ends up with this very optimistic point of view.
但这有什么关系呢?,好好地想一想,尽管这个艺术家在现实中通过艺术,驱逐了消极主义,因此他最终形成了这种乐观的观点。
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