This article is divided four parts to elaborate on technique reality and art reality of Photographic art.
本文分四个部分对摄影技术真实和艺术真实进行循序渐进的论述。
Starting with his non-identity thinking, it treats of the negative dialectics between people and society, reality and art so as to clarify the social critical function of art.
从阿多诺非同一性的思维方式入手，展开人与社会、现实与艺术之间的否定辩证法，阐释艺术的社会批判功能。
Theory of imitation is a kind of rationalist aesthetic conception which admits that the central position of reality and artists' artistic expression and art symbols can truly reproduce reality.
模仿论是一种理性主义的美学观，它肯定实在世界的中心地位和艺术家的艺术表现以及艺术符号可以真实地再现实在世界。
Baudelaire regarded photography as "a very humble servant of art and science"; a medium largely unable to transcend "external reality".
波德莱尔认为摄影是“艺术和科学的一个非常卑微的仆人”；是一种很大程度上无法超越“外部现实”的媒介。
I wanted to show my understanding of art, and of reality.
我想展示自己对艺术和现实的理解。
PHOTOGRAPHY often blurs the distinction between art and reality.
摄影技术经常模糊了艺术和真实之间的区别。
The purpose of art is to project feelings and the reality of a subjective private life in the midst of public events into a particular plastic medium-words, in the case of prose.
艺术的目的是以特定的可塑性媒体(对于散文而言就是词语)在公共事件中反映出个人感情以及个人私生活的真实性。
Pasik said the project is part art, part reality show, part journalism and part fun. But it is definitely not vigilantism.
帕西克称这个计划是艺术、“真人秀”、新闻报道和娱乐的结合体，但肯定不是维护治安的手段。
Art is the re-enactment of reality, of a reality purifies, freed from constraints and irrelevant accidents, unfettered to the material circumstances that confuse the essence.
艺术是现实的再现，是现实的升华，艺术不受不相干的突发事件的制约，不受掩盖本质的物质环境的束缚。
In fact, if there were such a thing as an opportunity index, it would stand at about 7.5 out of 10 now, says Guy Kawasaki, entrepreneur and author of the art of the Start and Reality Check.
企业家和《创业的艺术》、《现实验证》的作者盖川崎说“实际上，如果有这样的机会，那将达到75%。”
How could I explain to this intense young perfectionist that while his perception of art may have been good, his understanding of life and human reality were not?
面对这位年轻、激进的完美主义者，我该怎样对他说：也许他的艺术观是对的，但他对生活和人类现实的理解却不尽如此?。
However, human emotion is always rooted in art creation, enabling the art works to possess both objective reality and subjective spirit.
但人的情感始终植根于艺术创作的根基，使其艺术作品更具客观现实与主观精神的两重化性质。
When we talk about the art of literature, we have to face an old topic, that is the relation between literature and reality.
谈到文学艺术，就需要面对一个古老的话题——文学与现实的关系。
The work of literature and art should abide by The duality of humanity to assure people's reality and be plenty in description of the objective and subjective people.
文艺作品无论描写“对象的人”，还是表现“主体的人”，都应该遵守人的本质的二重性原则，从而确保人物的真实性、丰富性。
Traditional art enjoys a long and outstanding history, but is not sufficient in terms of theoretical sensitivity towards the new things in reality that represent the future trend.
传统的艺术学有着卓越而悠久的历史，但对于现实生活中代表未来方向的新生事物，传统艺术学存在滞后性，缺乏足够的理论敏感性。
According to the big events of reality to creative works, it showed his to become a reporter, and also formed his art limitation in his creative works.
而以社会现实中的重大事件为创作素材则反映了他当初想当一名记者的夙愿，也构成了他在创作上的艺术局限性。
The relationship between art and reality is the basic problem of Art Aesthetics.
艺术与现实的关系是文艺美学的基本问题。
Realism as a dimension of art study, is mostly concerned with the aesthetic relationship between art and reality.
现实主义作为艺术探究的一个维度，所关注的是艺术与现实的美学关系。
To analyze it from the perspective of the theoretical means, we can easily get such a hint as "the aesthetic relationship between art and reality".
从理论方法上分析这一现象，我们不难得到“艺术与现实的美学关系”这样的暗示。
ART is nothing but ART, which rises from dirty, ugly reality and displays all its sanctity in contrast with reality.
艺术就是艺术，它在卑污丑恶的现实中升腾起来，并在与现实的对照中才展露其全部神圣性。
It is a systematic study of the understanding and performance of art, and the reflection of reality.
审艺学它包括对艺术自身的领悟与表现和对现实的艺术反映的系统研究。
By means of imaginary aesthetic forms, art and aesthetics deny and surpass the reality.
艺术和审美通过虚构的审美形式实现对现实的否定和超越。
Traditional Chinese foods that exhibit Chinese culture, art and reality play an essential role in Chinese people's everyday lives.
中国传统食品展示了中国文化、艺术，并且在中国人的日常生活中扮演着重要角色。
Contemporary art stresses the direct connection between art and reality, as well as the maze beyond art and the real world.
当代艺术强调艺术与现实之间的直接联系，强调艺术与真实世界之间的扑朔迷离。
Their art originates from the ridicule of monotonous life and reality.
他们的艺术来自于对单调生活和现实的调侃。
He was soon experimenting with cubism, and his art began to reflect an abstract dreamlike quality in which reality, symbolism and fantasy lost their boundaries.
他很快就尝试运用立体派的画法，而且他的艺术开始反映抽象的、梦一般的特性，在这些画作中，现实事物、象征主义和幻想艺术失去其固有的界限。
He was soon experimenting with cubism, and his art began to reflect an abstract dreamlike quality in which reality, symbolism and fantasy lost their boundaries.
他很快就尝试运用立体派的画法，而且他的艺术开始反映抽象的、梦一般的特性，在这些画作中，现实事物、象征主义和幻想艺术失去其固有的界限。
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