露辛达·布洛德布里奇在卡索斯十四行诗的第四首中惊人地表达了这种强烈的感情。
There is real intensity as Lucinda Broadbridge strikingly conveys in the fourth of the Casos Sonnets.
所以,我们不清楚哥诗达邮轮通过瑞安航空获得了多少预订量,对具体的协议条款也不清楚。
So we'll never know how many cruise bookings Costa Cruises secures via its deal with Ryanair, nor the terms of that deal.
例如,在基尔兰达约画室里的“菲利普·诗特洛齐和朝拜的牧羊人”就描绘了一位单膝跪地,身穿棕色外套的银行家沐浴在婴儿基督的凝视下。
In the Ghirlandaio workshop's "Adoration of the Shepherds with Filippo Strozzi", for example, a kneeling banker in a mud-brown tunic basks in the infant Christ's gaze (pictured).
Professor John Rogers: The best way, I think, to introduce the central issues of this wonderful poem, Lycidas, is to return to Milton's Comus.
约翰·罗杰斯教授:我认为,要向你们介绍《利西达斯》,这首精彩的诗的精髓,最好的方法莫过于,回顾一下弥尔顿的《科玛斯》
But the unmistakable physicality of the heaven imagined in the poem about Diodati gives us some idea, I think, of how to read the end of Lycidas.
但在关于迪奥达蒂的这首诗中弥尔顿所想象的,天堂的物质性是无可置疑的,这能给我们一些启发,帮我们理解《利西达斯》的结尾。
As in Sonnet Seven, Milton writes the first verse paragraph of this great poem, Lycidas -- the first fourteen lines - in essentially the form of a sonnet.
如同《十四行诗第七首》,弥尔顿写《利西达斯》,这首伟大的诗的开头--头14行时,-用的还是十四行诗的形式。
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