本文旨在分析《点石斋画报》的艺术风格及其成因。
This thesis is intended to analyze the artistic style of the Dianshizhai Pictorial, and how it get this style.
相比于其它的新闻报刊，《点石斋画报》包含了更多的信息，在传播效果上也起到更加直观的作用。
Compared with the other newspapers, Dianshizhai Pictorial contained more information, and thus a more intuitionistic result was generated in transmission.
点石斋还创办了图文并茂的期刊，《点石斋画报》、《海上奇书》等，为近代期刊确立了基本的样式。
Spin studio had created an illustrated journal "spin studio Pictorial" and the "sea Masterpieces," and so on. It established a basic format for modern magazines.
创刊于1884年的《点石斋画报》择“新奇可喜之事”绘制成图，辅以文字说明，开创了晚清新闻画报的先河。
Originated in 1884, Dianshizhai Pictorial, which made pictures with novel and delectable news, supplemented with explanations in words, initiated the pictorial press of the late Qing Dynasty.
因为《寰瀛画报》的纯西方绘画表现特点，对之后《点石斋画报》民间“中西合璧”形态的形成有不能忽视的推动作用。
Because "Entire World Pictorial" pure performance characteristics of Western painting, and after "Dianshizhai Pictorial" folk "East meets West," the formation of a very important role.
因为《寰瀛画报》的纯西方绘画表现特点，对之后《点石斋画报》民间“中西合璧”形态的形成有不能忽视的推动作用。
Because "Entire World Pictorial" pure performance characteristics of Western painting, and after "Dianshizhai Pictorial" folk "East meets West," the formation of a very important role.
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