中西悲剧最根本的不同就是选择悲剧人物和悲剧冲突的不同。
The main differences between Chinese and western tragedies lie in choosing tragic characters and conflicts.
中西悲剧最根本的不同就是选择悲剧人物和悲剧冲突的不同。
Tragic conflicts appear not only in tragic characters, but between justice and evil.
第三章讨论了李尔王自身内部的冲突。根据黑格尔的悲剧理论，这一冲突属于悲剧冲突中的第三种。
Chapter Three discusses the collision within King Lear himself, which belongs to the third kind of collisions according to Hegel's tragedy theory.
悲剧的道德观念又是通过目的性和反目的性的矛盾冲突实现的，从而奠定了黑格尔悲剧冲突理论的基础。
The moral concept of tragedy is realized in contradictory conflicts of different aims, which is the foundation for Hegel's tragedy conflict theory.
西方现代悲剧理论强调悲剧对象的审美价值而忽略其道德价值，并将悲剧冲突的根源指向人的内心矛盾。
The modern tragic theory in the West emphasizes the tragic object's aesthetic value and neglects its moral value. Pointing the root of tragic conflict to the people's inner contradiction.
第二章集中阐述了李尔王和考狄利亚之间的冲突。根据黑格尔的悲剧理论，这一冲突属于悲剧冲突中的第二种。
Chapter Two concentrates on the collision between King Lear and Cordelia, which belongs to the second kind of collisions according to Hegel's tragedy theory.
人物性格和自然规律、行动和结果带来的一系列悲剧冲突，使作品在表现英雄精神的同时，交织着许多震撼人心的悲剧特质，给读者带来了全新的阅读体验。
The tragic conflicts between the heros character and the natural law, the action and its result offer the reader a new reading experience in heroism mingled with tragic features.
马歇尔避免了二十世纪初抗议小说中典型的受压迫、与白人社会冲突的悲剧性女主人公。
Marshall avoided the oppressed and tragic heroine in conflict with White society that had been typical of the protest novels of the early twentieth century.
这是一个蕴含着不断冲突与流离失所的悲剧的遗产。
当心理上存在这些划分时，就必然会存在生理上的划分，所有的冲突、战争、苦难和悲剧，以及人与人之间的残忍行为都会随之而来。
When there are these psychological divisions, there must inevitably be physiological division with all its conflicts, wars, and the suffering and the tragedy and the inhumanity of man to man.
世界上真正的悲剧不是正确与错误之间的冲突，而是两个正确之间的冲突。
Genuine tragedies in the world are not conflicts between right and wrong. They are conflicts between two rights.
各种人物之间的冲突和人物与社会之间的冲突相互作用，最终决定了故事的结局是悲剧。
The conflicts between the characters in this book, together with conflicts between the characters and the society, are inseparable ingredients of the tragic ending of this story.
悲剧是人与自然、人与社会和人与自身命运冲突的艺术表现。
Tragedy is an artistic expression of conflicts between human beings and nature, human beings and society, human beings and their own fate.
而这种冲突在社会思想的影响之外，是自身无法跨越的心理悲剧。
And this kind of conflict is outside the influence of the social thought, it is the psychological tragedy that can't be crossed over oneself.
本文对《婉容词》重新解读，着重分析其中西文化冲突之悲剧意义。
This paper reinterprets Wan Rong Ci, and emphatically analyses its tragic meaning from the conflicts between the east and the west culture.
悲剧的冲突是罗密欧与朱丽叶的恋情与两个家族间的仇恨和对立。
The conflict is tragic Romeo and Juliet love and hatred between the two families and confrontation.
女巫是麦克白心灵的魔鬼，是其内在私欲的外在表现； 女巫的预言则反映了主人公的内心矛盾、冲突，昭示了麦克白的悲剧命运。
While witches are Macbeth's spiritual demon and the external manifestation of his intrinsic desire, their prophets reflect his inner contradiction and conflicts, and foretell his tragic destiny.
在此基础上作者指出，对于黑格尔悲剧理论中著名的“冲突说”，应该将之放在情境理论的基础上来加以理解。
On this basis, the author points out that the well - known "idea of conflict" in Hegel's theory of tragedy is advisable to be comprehended in the context of theory of mind.
本文比较了莎士比亚和关汉卿悲剧艺术在主题、人物、冲突、结局方面的差别，并设法找出了差异的原因。
Differences on themes, personages, conflicts, endings between Shakespeare 's and Guan Hanqing' s tragic arts are compared in the article and the reasons of diversity are tried to find out.
可以公开的只是里面的宿命和悲剧，完美主义和失望，熟悉和熟视无睹之间的冲突。
Which are open is the connotations of conflicts between destiny and tragedy, perfectionism and disappointment, and between familiarization and unconscious neglect.
爱米丽的爱情悲剧不是新旧的冲突而是以清教思想为核心的旧传统造成的。
Emily's love tragedy is not caused by the conflict between the old and the new, but by the tradition with the Puritanism as its core.
在本质上，使人物外在或内在的冲突提升为人性的冲突，生命的悲剧提升为文化的悲剧。
In nature, the characters? Internal and external conflict was promoted to that of human nature, and life tragedy to culture tragedy.
毗湿摩悲剧的实质就是人的超我、自我与本我的斗争，社会的和谐与冲突之间的斗争。
The nature of Bhishma tragedy is the struggle among human's Superego, Id and ego, the fight between social harmony and conflict.
这是由于现代自我意识的产生导致生命悲剧意识的觉醒，以及自由意识与生存状态的冲突。
It is the result of conflict between the awakening of self-consciousness and tragedy-consciousness and condition of existence.
这是由于现代自我意识的产生导致生命悲剧意识的觉醒，以及自由意识与生存状态的冲突。
It is the result of conflict between the awakening of self-consciousness and tragedy-consciousness and condition of existence.
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