在将其类型定位为性格喜剧的类型的基础上，分别研究了人物塑造、喜剧技巧与手法、和喜剧语言的修辞艺术等几个主要方面，并简单总结其对现代喜剧领域的贡献。
It is composed of creating characters, the technique of comedy, and the rhetoric arts of comedy's language. In the end it summarizes Li's contribution to the modern comedy.
但是，人们历来只看到福斯塔夫的喜剧性格本身，而对其性格的喜剧机制不甚关注。
But mang people only focus on Fustaph's comic personality all the time, and do not attend to developing the constitution of his personality.
“我倒也觉得你会这样想的，”他说，“按你的性格，如果你演严肃喜剧会很出色的。”
"I should think you would," he said. "you have the sort of disposition that would do well in comedy-drama."
世态的展示，性格的刻画，温婉的风格、高超的艺术技巧不仅显示出与欧洲喜剧的一脉相承，也体现出作者独特的创作才华。
Revelation of manners, gentle style, excellent art technique not only shows correspondence with European comedy, but also embodys the author's distinctive creating genius.
这艘船上载了一群性格鲜明的人物，从受狂犬病折磨的“野蛮生意人”（富人由于无能而得到的半喜剧教训）到在头等舱里闲晃的珠宝盗贼。
The ship affords a rich array of characters, from a "brutal financier" suffering from rabies (a half-comic lesson in the impotence of wealth) to a jewel thief who swans about in first class.
《西厢记》是中国戏曲史上一部杰出的喜剧之作，其浓烈的喜剧性体现于戏剧冲突之中，显示在人物性格之中，蕴含于科诨、俗谚、口语之中。
Its strong comedy competent to it reflects to be among the conflict on drama; Show in personages personality; contain it in jokes, vulgar proverb, spoken language.
《西厢记》是中国戏曲史上一部杰出的喜剧之作，其浓烈的喜剧性体现于戏剧冲突之中，显示在人物性格之中，蕴含于科诨、俗谚、口语之中。
Its strong comedy competent to it reflects to be among the conflict on drama; Show in personages personality; contain it in jokes, vulgar proverb, spoken language.
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