审美主体、审美客体和时空环境是它的三个要素。
The aesthetic subject, object and temporal-spatio-environment are its three major components.
分析审美客体在诗歌教学中的表现形式，指导学生进行诗歌鉴赏。
Analysis of the aesthetic object in the form of poetry teaching, guiding students to appreciate poetry.
物质形态所起的造景功能。让园林石在“意境”中作为审美客体的功用。
Physical form of landscape functions. Let the garden stone in the "artistic conception" as the objects of aesthetic function.
审美主体意识与审美客体是辩证统一关系，而实践是这一统一关系的桥梁和纽带。
There is a dialectical unity relationship between the subject aesthetic judgment and the object aesthetic judgment, in which the practice bridges the two parts.
其突出强调的是审美客体对主体的情感影响，审美主体在审美过程中处于一种相对被动的位置。
Its highlight is the impacts of aesthetic object to the subject of emotional and aesthetic subject in the aesthetic process is in a relatively passive position.
公文作为审美客体应按照美的规律来创造，一篇优秀的公文其语言应符合文中所述的审美特征。
As an aesthetic object, the document should be composed according to the aesthetic laws. Its language should be in accordance with the aesthetic characteristics.
审美活动是审美主体层、审美客体层、审美时空层、审美历史积淀层等多层面整体关系的创造；
Aesthetic activity is a kind of creation based on multi-level relations as a whole, that is, the levels of aesthetics in subject, object, time and space, and historical illuviation.
从创作主体、审美客体及接受主体等几方面入手，才能比较全面、准确地把握喜剧性笑的发生系统。
This paper researches the causative system of comic laughter in respects of comedy's creative subjective, its aesthetic objective and its aesthetic subjective.
文学作品中模糊语言的使用可以使文学艺术穿越审美主体和审美客体，从而扩大艺术空间，获得审美情感。
Owing to the incorporation of fuzzy language, literary art can transcend aesthetic object as well as aesthetic subject; thereby enlarge the artistic space, and obtain aesthetic feeling.
一方面，音乐审美客体将现实生活中的动态美作为内在的情感，经过抽象、提炼，升华为音乐情绪的动态形式；
For one thing, the inner emotion in real life can be abstracted and sublimed into a dynamic form of music emotion.
此外，音乐审美客体必须做到内容与形式的统一，才能产生巨大的艺术魅力，而音乐审美客体的内心体验是“不传之道”，是使其产生艺术感染力的源泉。
Besides, it is necessary for the aesthetic object of music to achieve the unity of content and form in order to produce tremendous art attraction.
通过对作为审美客体的线性休闲空间与动态景观的要素、形体和时空三个方面的解析，探讨线性休闲空间与动态景观创造的原则，以构成对休闲行为的支持。
Analysis the linear leisure space and dynamic landscape as aesthetic object from essential factor, form and structure, and space-time, to discuss the principle of it.
笔者旨在通过对审美主客体的美学研究，对诗歌翻译的审美标准、美学特征和艺术规律进行理论探索。
Based on the aesthetic recognition of verse translation, certain aesthetic theories will be applied in the study of both aesthetic objects and subjects.
感知——情感的主体和被感知、引起情感的客体事物同步地获得了审美的性质。
Esthesia -subject and perceiving, caused the object things of the emotion to obtain aesthetic nature in step of the emotion.
音乐审美关系具有价值关系的特征，并存在于审美主客体的协调之中。
Music aesthetic relation has the feature of value relationship that coordinates between the subjective and objective.
其审美效果主要源于叙述主体个性的各具特色和叙述客体千差万别的种种需求。
The aesthetic effect comes mainly from the various features of the subject and the diverse demands of the object of narration.
这种存在于音乐审美主客体之间的是一种双向的、动态的价值关系。
This relationship between the subjective and objective is a bi-directional and dynamic relations.
审美对象(客体)和审美主体构成审美关系的两个方面。
The aesthetic object and the aesthetic subject are the two sides in aesthetic relation.
水景意境是指水景客体和审美主体有机统一而生成的一种情景交融的境界。
Waterscape is a state in which the object waterscape and the aesthetic subject wanderers share the organic unification and perfect harmony.
这一批评观在注重翻译文学的语言学和语文学特征的基础上，为现代翻译文学注入了以主体与客体相契合为特质的浪漫主义审美资源。
It, on account of the given historical background, has supplied modern translated literature with romantic, aesthetic resources distinguished by the combination of subject and object.
审美代码承载着多种层面的审美信息而成为与人的感性存在和本体存在密切联结的对象或客体。
The aesthetic code becomes an object that connects with personal perceptual being and ontological beings closely, and has varied aesthetic information.
审美感应论涉及审美活动中的主客体关系、艺术活动的本质及古代艺术的审美理想等重大理论问题。
It deals with some important theoretic factors, such as the relation between subject and object in aesthetical activities, the essence of art activities and the aesthetical ideal of ancient arts.
最后，文章粗略地对影响音乐剧审美主客体互动的重要因素——商业操作性进行了论述。
Finally, the article roughly discussed the commercial operation, the important element that influences the relation between aesthetic subjects and objects.
真理主体和客体的相互关系主要表现为实践关系、认识关系、价值关系和审美关系。
The relationship mainly embodies as practice relationship, recognition relationship, value relationship and aesthetic relationship.
主客体管理与审美意识具有对应共生关系，主客体管理审美意识是主客体间相互作用中的一种非线性涌现，并具有功利与非功利二重性。
The esthetic awareness of subjective-objective administration is a kind of non-linear emergence in the interaction between the subject and the object, and has dual nature of utility and non-utility.
刘熙载又进一步提出“诗为天人之合”，增加了主体因素，把主体与客体有机结合起来，实质上就是把文艺的本质归结为审美主客体的统一。
Liu Xizai brought up furthermore that "poetry was the fusion of human and universe", which added the subject factor, combined the object and subject.
艺术意境即一间审美场：主、客体三层面双向交互作用发生共振效应生成的四维空间形态。
Artistic mental sense, an aesthetic field, is a four-dimension space form generated by the resonant effect via three_layer, two_way interaction between the aesthetic subject and its, object.
音乐审美关系与价值关系一样，存在于审美主客体的协调、融合之中，因此，审美主客体之间的协调、融合是构建音乐艺术审美关系的基础。
The aesthetic relationship of music, the same as value relationship, exists in the harmony and combination of aesthetic subject and object.
音乐审美关系与价值关系一样，存在于审美主客体的协调、融合之中，因此，审美主客体之间的协调、融合是构建音乐艺术审美关系的基础。
The aesthetic relationship of music, the same as value relationship, exists in the harmony and combination of aesthetic subject and object.
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