Freud postulated that we all have a death instinct as well as a life instinct.
弗洛伊德曾假定我们所有人都有生存本能和死亡本能。
As it attacks the source of life, it may be considered to be the earliest direct externalisation of the death instinct.
当它攻击生命的源泉时,它可以被认为是死本能最早的直接外化。
Segal writes : Envy though arising from primitive love and admiration has a less strong libidinal component than greed and is suffused with the death instinct.
Segal写到:嫉羡从原始的爱与钦佩发生,比贪婪少一些力比多的成分,弥漫着死本能。
The identification of Catherine's death instinct with Heathcliff's death image and the identification of her real self with Heathcliff make Catherine infatuated with Heathcliff.
而凯瑟琳的死亡本能对希克厉死神意象的心理认同,以及其对真实自我的外在匹配物希克厉的潜意识心理认同,使凯瑟琳迷恋希克厉。
Intuition and instinct routinely fail to warn innocent people about impending accidents, attacks, abductions and death.
直觉通常不能警示人们可能到来的意外事故,袭击,诱拐和死亡。
We humans are a very, very death phobic species. We will do almost anything to avoid the pain that ACTS based on the thanatos instinct can bring.
我们人类史非常非常具有死亡恐惧的物种。我们可以做任何事情来避免死欲本能带给我们的痛苦。
Death consciousness is a fear to death and the resultant anxiety to life sourcing from the life instinct.
死亡意识是从生命本能出发对死亡的恐惧及由之引发的对生的焦虑。
This essay explores the motif of death in Plath's masterpiece Ariel through a close reading of the poetry under the perspective of Freud's instinct theory.
本文通过文本细读,结合传记资料,借弗洛伊德生死本能论的视角,拟在探究普拉斯晚期代表诗作《阿丽尔》中的死亡主题以及背后的创作动因。
This essay explores the motif of death in Plath's masterpiece Ariel through a close reading of the poetry under the perspective of Freud's instinct theory.
本文通过文本细读,结合传记资料,借弗洛伊德生死本能论的视角,拟在探究普拉斯晚期代表诗作《阿丽尔》中的死亡主题以及背后的创作动因。
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