Freud postulated that we all have a death instinct as well as a life instinct.
弗洛伊德曾假定我们所有人都有生存本能和死亡本能。
As it attacks the source of life, it may be considered to be the earliest direct externalisation of the death instinct.
当它攻击生命的源泉时，它可以被认为是死本能最早的直接外化。
Segal writes : Envy though arising from primitive love and admiration has a less strong libidinal component than greed and is suffused with the death instinct.
Segal写到：嫉羡从原始的爱与钦佩发生，比贪婪少一些力比多的成分，弥漫着死本能。
The identification of Catherine's death instinct with Heathcliff's death image and the identification of her real self with Heathcliff make Catherine infatuated with Heathcliff.
而凯瑟琳的死亡本能对希克厉死神意象的心理认同，以及其对真实自我的外在匹配物希克厉的潜意识心理认同，使凯瑟琳迷恋希克厉。
Intuition and instinct routinely fail to warn innocent people about impending accidents, attacks, abductions and death.
直觉通常不能警示人们可能到来的意外事故，袭击，诱拐和死亡。
We humans are a very, very death phobic species. We will do almost anything to avoid the pain that ACTS based on the thanatos instinct can bring.
我们人类史非常非常具有死亡恐惧的物种。我们可以做任何事情来避免死欲本能带给我们的痛苦。
Death consciousness is a fear to death and the resultant anxiety to life sourcing from the life instinct.
死亡意识是从生命本能出发对死亡的恐惧及由之引发的对生的焦虑。
This essay explores the motif of death in Plath's masterpiece Ariel through a close reading of the poetry under the perspective of Freud's instinct theory.
本文通过文本细读，结合传记资料，借弗洛伊德生死本能论的视角，拟在探究普拉斯晚期代表诗作《阿丽尔》中的死亡主题以及背后的创作动因。
In addition to the "self", the subconsciousness also contains the instinct of birth and death.
当然潜意识里还有很多的基本元素，包括“生”的本能及“死亡”的本能都在这里。
In addition to the "self", the subconsciousness also contains the instinct of birth and death.
当然潜意识里还有很多的基本元素，包括“生”的本能及“死亡”的本能都在这里。
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