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is not to be considered as the effusion of real passion; for passion runs not after remote allusions and obscure opinions.
不是真挚情感的流露;,真情不是通过遥远的幻境和隐晦的观点来表达的。
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And humankind receives its first set of explicit laws, no more implicit, "Murder is bad." "Oh I wish I had known!"
人类要接受明确的律法，而非隐晦的，谋杀是不好的，哦！我要是早知道就好了“
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Johnson tells us that Lycidas is not to be considered as the effusion of real passion, for passion runs not after remote allusions and obscure opinions.
约翰逊说《利西达斯》不是,真挚情感的流露，因为真情不是通过遥远的幻境和隐晦的观点来表达的。
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Again, whether it's conscious, subconscious, explicit or implicit, the question though is in fact it is important, should it be important?
不论是有意识的，还是潜意识的，明显的还是隐晦的，问题是它确实重要，但快乐应该是重要的吗？
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Frost wishes to be so subtle as to seem altogether obvious.
弗罗斯特想要表现的如此隐晦以至于看似很明显地摆明了。
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It kind of implies your reason.
而你的理由有点隐晦
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That was the eventual message that I got, but it was sort of, it was not on the surface, it was not obvious, because the story, the two movies were sort of sad... ? Anybody want to say something about it?
这就是我得到的最本质的信息，但因为这两部电影都有些伤感，以致这些信息都是隐晦的，不是一眼能看出来的。,还有人想对此说些什么吗？
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It's difficult to imagine that as an expression of genuine grief over the death of a genuinely close friend would take the form of a poem so learned, so filled with remote literary allusions and obscure opinions.
这首诗是为表达对挚友逝去的真挚悲痛,却采取了这样一种如此博学，如此充满,遥远的幻境和隐晦的观点的形式,这确实是难以想象的。
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Happiness, whether we like it or not, whether it's consciously , subconsciously, whether it's explicit or implicit, for most people-- not all, but for most people, it is the highest end.
快乐，不论我们喜欢与否，不论它是有意识地，还是潜意识地，不论它是明显的还是隐晦的，对多数人来说-,不是全部但对多数人来说，快乐是最高追求。
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That's because to suggest -- just think of it - to suggest that Milton is relying on his memory as he composes so allusively and so dependently, in a lot of ways, so much of Paradise Lost - to say that is simply to say that the poem has been generated by Milton and not by God.
让我们来设想一下其中的原因吧,假设弥尔顿全靠着他的记忆,正如他隐晦而连续地在《失乐园》中引经据典，并将这些以多种方式组合，这在《失乐园》中随处可见,以至于人们可以简单地说这部诗,是出自弥尔顿而非上帝的创作。
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