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That is the special category that Foucault wants to reserve for those privileged figures whom he calls founders of discursivity.
这就是福柯想为那些他称之为散漫性创始人的,特权作家们保留的特殊类别。
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Michael Kors, I really like his shoes.
还有迈克•柯尔，我很喜欢他设计的鞋子。
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Aristotle is considered the "father of criticism," and yet he is also what Foucault would call a "founder of discursivity."
亚里士多德被认为是批判学之父“,但他是福柯承认的话语学奠基人“
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Hartman describes Milton's tendency in Paradise Lost, and he takes this term from Coleridge: the tendency to stand ab extra, to stand from outside.
哈特曼描述了弥尔顿在中的写作趋向，并且从柯勒律治那里借用了这个习语：,由外而内俯视自身的趋势。
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Nice was Nikea, victory town and there are several others.
尼斯希腊语为尼柯亚,即胜利之城,在法国,还有好几个希腊城市
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In fact, is doing some work with Professor Corbin and me jointly on the issue of food and addiction, and she'll be doing some lecturing on that later in the class.
事实上,她正在和柯宾教授还有我,一起研究食物成瘾问题,她之后会就这个话题给大家做一些演讲
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The book, Michel Foucault, a famous philosopher, got a hold of and wrote a preface for it; in French is, was, Moi, Pierre Riviere, ayant egorge ma mere and mes deux soeurs.
这本书,米歇尔·福柯,著名哲学家,搞到了一本然后写了个前言,法语是,我,皮埃尔·利维埃尔,割开了我母亲和两个妹妹的喉咙
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You all remember the recent movie of a year or two ago about Troy with Colin Farrell about Alexander.
你们都还记得,最近一两年上映的一部电影中有提到特洛依城,由柯林，法洛饰演亚历山大大帝。
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By the way, once again there's a bit of a rift there between Barthes and Foucault. Foucault wouldn't say "quite futile."
顺便说一句，这里巴特和福柯,又有了分歧，巴特不会说“没有希望“
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In other words, Foucault is up to something interesting, and probably we should meet him at least halfway to see, to measure, the degree of interest we may have in it.
换言之，福柯在从事很有趣的事业，或许我们至少可以在半途加入他的行列,去看看我们是否也能对此有兴趣。
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Milton's looking in at his own work from a distance, according to Coleridge and then Hartman.
据柯勒律治和哈特曼所言，弥尔顿是遥远地从外俯视自己的作品。
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Foucault, by the way, doesn't mention Nietzsche, but he might very well because Nietzsche's idea of "genealogy" is perhaps the central influence on Foucault's work.
福柯，没有提到尼采，但是他可能很喜欢，因为尼采的“宗谱“理论“,可能是对福柯作品影响最大的了。
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It's not just a question, as obviously Foucault and Barthes are always suggesting, of deferring to authority as though the authority were the police with a baton in its hand, right?
这不仅仅是一个，如福柯和巴特经常暗示的一样明显的，尊崇作者权威就好像这种权威,是一个手握警棍的警官的问题，对吧？
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In other words, the author, the traditional idea of the author -so much under suspicion in the work of Foucault and Barthes in the late sixties--can be turned on its ear.
换言之，有一种传统的看法就是对作者置之不理,六十年代晚期在福柯和巴特的,作品中有那么多疑点。
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The author is a signal, is what Foucault calls a "function."
作者是一个标志，就像福柯所说的“功能“
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How does Foucault deal with this? He invents a concept.
那么福柯是怎么处理的呢？，他发明了一个理论。
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How is Foucault going to mount an argument in which privileged authors -that is to say, figures whom one cites positively and can somehow or another stay in the picture?
福柯又如何为特殊的作者辩护呢,特殊的作者即是经常被一个人引用,这些作家能被辩护吗？
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You can't say, 'If it's Tuesday, it must be Foucault.
你不能说，如果今天是周二，我们就讲福柯。
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This is 1969, and the purpose that's alleged for appealing to the author as a paternal source, as an authority, is, according to both Barthes and Foucault, to police the way texts are read.
这是1969年，断言把作者作为一种,父性的资源，一种权威的目的，根据巴特和福柯的说法，是为了监督文本被阅读的方式。
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Because we're as skeptical about skepticism as we are about anything else we're likely to raise our eyebrows and say, "Hmm. Doesn't this guy Foucault think he's an author?
因为我们对怀疑论的怀疑,肯定和我们扬起眉毛质疑其他事物是一样的，我们会说：“嗯，这个叫福柯的人自称是作家吗？
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Foucault couldn't possibly allow for that because plainly the whole texture of their discourse would be undermined by introducing the notion that it's okay to be a master, and yet Ricoeur feels that these figures dominate modern thought as masters.
福柯不会认同因为,这样的话他们话语的整个结构就会被破坏,如果引入可以作为大师的观点的话，同时,里克尔感觉这些人支配着现代大师的思想。
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In fact, I don't quite know what he is saying" and struggled more than you're expected to because you anticipated what I've just been saying about the setting and about the role of Foucault and all the rest of it, and were possibly more confused than you might have expected to be.
事实上，我也不太清楚他在说什么“,然后你发现这比预想的更难理解,因为你预想了我给你们设置的背景,以及福柯和其他人的角色，然后可能会发现比自己预想的更困惑。
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Foucault continues, Instead, these questions will be raised: "How, under what conditions, and in what forms can something like a subject appear in the order of discourse?
福柯继续说，取而代之的，这些问题会被问到：“哪种情况下，一个类似主题的东西会如何,以什么形式的话语顺序出现？
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The next one is a colleague of mine, William Corbin, who's doing some very interesting work on alcohol intake and gambling, and sometimes how they go together.
下一位是我的同事威廉·柯宾,他在从事关于酗酒及嗜赌的研究,为何两者常会被联系在一起
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How could you develop an argument in which a thought like that might actually seem to work? After all, Foucault--setting himself aside, he doesn't mention himself--Foucault very much admires certain writers.
你如何为这样一个看起来可能的想法,去辩护呢？毕竟，福柯--不谈他自己，他从不提到自己-福柯很钦佩一些作家。
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Foucault confronts this question in "What is an Author?"
在《什么是作者》中，福柯谈到了这些问题“
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