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Milton wrote his epic in lines of unrhymed iambic pentameter or what we call, and what Milton would have called, blank verse.
弥尔顿的史诗由不押韵的抑扬格五音步诗句写成,我们，还有弥尔顿都称其为无韵诗。
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The stall sellers, "Two for a pound!" all that sort of Cockney, rhyming doodah.
小摊的商贩会喊，“一英镑两个！”全是那种伦敦佬押韵的吆喝。
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You can also hear Satan's critique of the tyranny of heaven in this account of the rhyme as well. Like kingship, rhyme is a custom.
在这关于押韵的一段话中也可隐约听到,撒旦对上帝独裁的批判，押韵同王权一样都是惯例。
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It's rhymed iambic tetrameter, four beats per line, with some variations.
这是首押韵的短长体四音部句，一行四音，也有些变化。
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And so you will hear Homeric characters referred to by epithets, Homer, part of the technique of passing on oral poetry is by having epithets attached to the rulers to help with the meter.
你会发现有一些别称用来称呼荷马时代的人,荷马时代,口口传诵诗歌的技巧之一,就是在统治者名字后面加上别称,使之更押韵
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People can't deal with this poem until they can get a handle on the fact that it doesn't rhyme.
人们搞不懂这诗为什么不押韵,就无法理解它。
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Now most rhymed poems in Milton's day were end-stopped lines of verse.
弥尔顿时期的大部分押韵诗都使用孤联诗句。
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And "home" is here made to rhyme with "Bapaume," bringing battlefront and home front together as a rhyme.
家乡“在这里是为了与“巴波姆“押韵“,将前线和后方放到一起成为一个押韵。
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They're manacles that confine the otherwise vulnerable and tender flesh of the body of the poem.
押韵是镣铐，禁锢着诗歌本来就,脆弱柔软的血肉之躯。
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For most readers in Milton's time, rhyme was actually constitutive of poetry, and Milton's lines of unrhymed verse here may well have not seemed poetry at all. It was shocking.
对大部分弥尔顿时期的读者来说，押韵是,诗歌的组成部分，弥尔顿这不押韵的诗句,很可能看起来根本不是诗，它令人震惊。
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The lines have distinctly a sonnet rhyme-scheme, but look closely.
这14行明显使用了十四行诗的押韵规则，但仔细看。
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You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.
在大诗人约翰·德莱顿所写的,押韵版的《失乐园》中能很明显看到，这中孤联诗句的机制。
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Milton brings to his critique of rhyme that same -- and this is familiar - the same political rhetoric that he had brought to his critique of monarchy in the regicide treatises.
弥尔顿对押韵的批判与他--这很相似,-与他在为弑君辩护的文章中,对君主政权的政治批判很相似。
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Rhymes are barbarous forms of constraint that impinge upon the true freedom of the body of the poem.
押韵是禁锢着诗歌真正自由的,蛮荒时代才有的限制。
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Blank verse is unrhymed iambic pentameter.
无韵诗是不押韵的抑扬格五步格诗。
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Those are plays though, and all English narrative poems, including all of Shakespeare's narrative poems, they had all been written in rhyme, either long verse paragraphs of rhymed heroic couplets or in intricately rhymed stanzas.
但那些是戏剧，所有的英语叙事诗，包括所有莎士比亚的叙事诗，都是押韵的，不管是英雄双韵体的大段诗篇,还是精巧押韵的诗节。
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It's in response to what seems to have been an aesthetic reaction to the poem that the printer of Paradise Lost asked Milton, went back to Milton and asked him to append a note to the book's second printing -- to append a note that explains why the poem rhymes not.
这是弥尔顿对《失乐园》的出版商的答复,出版商问弥尔顿关于此诗的美学问题，他找到弥尔顿，让他给此诗的第二次印刷附一个,注解--附个注解解释这诗为什么不押韵。
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If you're not taking notes in this lecture, you have to write down at least one sentence. You must write this down because this will be the most important thing I say all morning: Milton's Paradise Lost is the first narrative poem in English that didn't rhyme.
就算你们这堂课不记笔记，也一定要记下至少一句话，一定要把这记下来,这是我一早上说的最重要的一句话了：,弥尔顿的《失乐园》是,第一首不押韵的英语叙事诗。
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Up to this point in literary history, only verse written for the theater had been written in unrhymed lines of iambic pentameter, in blank verse.
文学发展到那时候，只有为戏剧写的诗,才会用不押韵的抑扬格五音步，即无韵诗。
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It's a very funny poem, and you've got triplet rhymes there to make sure you know that Frost is joking, and it feels like light verse.
这是首有趣的诗，你会得到三连音的押韵,让你确实觉得弗罗斯特在开玩笑，这就像光的韵律一样。
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The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗罗斯特基本的诗歌韵律,是英国诗歌的基本韵律，也就是无韵诗或不押韵的五音部抑扬格。
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This was supposed to be the libretto for an opera.
这押韵版的《失乐园》本来是用作歌剧剧本的。
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