• Derrida, as I said, believes in a kind of seamless web of discourse or discursivity. We are awash in discourse.

    德里达,我说过,相信有一种无缝的网,存在于论述或推论中,我们在论述中是处于同水平线的。

    耶鲁公开课 - 文学理论导论课程节选

  • but he had like a special way to describe physics to the world,

    但是他有一种特殊的方式来向世界描述物理,

    以爱因斯坦为榜样 - SpeakingMax英语口语达人

  • We have a strained image of the composition of the poem at its very outset and we have an image of someone writing as if he were participating in a race.

    如果开始我们就对诗歌的创作有一种不友善的印象,那么我们就会对诗人有一种印象,就好像正在参加场竞赛。

    耶鲁公开课 - 弥尔顿课程节选

  • And he looked and it was good," And we have this tremendous rush of optimism.

    看了看,这很好“,我们有一种强烈的乐观主义。

    耶鲁公开课 - 旧约导论课程节选

  • There's an orgasmic element in what Derrida has in mind, so that when he speaks of "the seminal adventure of the trace," toward the end of your essay, you want to put some pressure on that word "seminal."

    在德里达的思想中有一种兴奋的元素,所以当在文章结尾处“,说到,“创意的追溯之旅“时,大家想要将重点放在,“创意的“上“

    耶鲁公开课 - 文学理论导论课程节选

  • There is somebody in that world called a basileus, who is a single individual who is understood to be superior in some way to everybody else.

    那里有一种叫做巴赛勒斯的人,被认为是个天资比,其人更好的人

    耶鲁公开课 - 古希腊历史简介课程节选

  • So, there is a sense, in the Plains Indian, that he is both the embodiment of a noble, restrained lineage; but also, deep in that American past, is this sense of great excess.

    草原印第安人有一种感觉,既是高尚的化身,克制的血统;,但同时,在那段美洲过往的深处,是一种过度的感觉。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And he says on page 884: A poet writes always of his personal life, in his finest work out of its tragedies, whatever it be, ; remorse, lost love or mere loneliness; he never speaks directly as to someone at the breakfast table there is always a phantasmagoria.

    84页说道:,诗人总写自己的生活,最好的作品总是悲剧,不管是后悔,失恋或孤独;,这是不会在餐桌上讲的,总是这样一种幻境。

    耶鲁公开课 - 现代诗歌课程节选

  • After his mother died, and so one theory is the role in his life is his mother and his loss of her.

    母亲去世后,有一种理论说,的母亲和母亲的死在生活中起了重要作用。

    麻省理工公开课 - 电影哲学课程节选

  • There is a kind of cultural myth around the stranger, the person you don't know, who you will--who you fall in love with.

    可能对陌生人有一种文化迷思,你不认识,却将要爱上

    耶鲁公开课 - 心理学导论课程节选

  • He then learns the whereabouts of a plant of eternal youth.

    听说,在什么地方,有一种植物,可以让人永葆年轻。

    耶鲁公开课 - 旧约导论课程节选

  • It makes them in one sense false; there is a falseness to the overlay that Carlo gives to Sal, and through which he then sees.

    程度上把们变成假的;,卡洛给Sal的覆盖有一种虚伪,后来发现了。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • For a second he thought it was a skinned animal, and then he saw it was a woman."

    以为那是一种皮的动物,后来才发现那是个女人,“

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It's a little bit like Aristotle's idea of catharsis, which can be understood in a variety of ways, but Milton at the end of Samson Agonistes understands it in one way when he says, Now we have as a result of this tragedy "calm of mind, all passion spent."

    点像亚里士多德的精神发泄法理论,我们可以通过各方法来理解,但是米尔顿在《力士参孙》书的结尾,一种理解,写道,这个悲剧使我们拥了,“平静的精神,耗尽的热情“

    耶鲁公开课 - 文学理论导论课程节选

  • Somewhere in The Great Gatsby, which was my Tom Sawyer when I was twelve, the youthful narrator remarks that everybody suspects himself of having at least one of the cardinal virtues and he goes on to say that he thinks his, bless his heart, is honesty.

    在Great,Gatsby的某个地方,我表哥在那,当时我12岁,那个年轻的叙事者谈论道,每个人都怀疑,至少一种基本的美德,继续说,认为的内心是诚实的。

    耶鲁公开课 - 1945年后的美国小说课程节选

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