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We're off because our downbeats, our strong pulses always have to come on the first part of the bar, this note.
我们做错了,因为我们的重拍,我们的强拍,总是在每个小节的第一拍的那个音
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If you've got four measures and different symbols, you're clearly subdividing the beat but hearing that as the beat.
如果你听出了四个小节并写出不同的符号,你就是将拍子细分了,并把细分后的当作了节拍
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Edited volumes with a number of smaller chapters in them on food and history and they're really very good.
里面有很多小节,是关于饮食与历史的,非常值得一读
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As you can see, it's nothing but a pattern of four bars plus four bars plus four bars plus four bars.
大家可以看到,它只不过是一种模式,若干段四个小节的叠加
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They might say for that sort of music: "All right. We're now going to have a thirty-two-bar solo.
他们会事先交流好要演出一段怎样的乐章,好吧,我们要出一段三十二小节的独奏曲
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You notice at the beginning one-two, At the beginning these chords are holding for four measures or a total of eight beats.
注意在开头，在开始的部分，和弦持续了4小节也就是8拍。
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A lot of music is made up of these two-four and four-four sorts of aggregates.
很多乐曲是由,这些二四拍和四四拍的小节组合而成的
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Okay. Obviously, this is the bar of syncopation-- we did this in section last week-- but you can see this note is the syncopated note.
显然,这个小节里包含了切分节奏,上周的课我们提到过,我们看到这个音符是切分音符
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These units we call bars or measures and just to finish this off down here we would have three quarter notes of course, in this particular arrangement.
这些单元我们称之为小节,我们来把接下来的写完,这里我们有三个四分音符,当然,按照特定的安排
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Here we go. You're going to sing that top melody. One, ready, go.
此处白板上曲谱的第二小节有误
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And then he disappears. So how many bars did you count there?
他的独奏结束,你们听到了多少小节呢
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Sixteen bars there, again, and a perfect example of free counterpoint.
又是16小节,而且是自由对位的一个完美例子
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So there it's--I'm simply taking the Cole Porter piece and throwing in an extra beat in each measure an unstressed beat in each measure and it works out pretty well.
我只是简单的把科尔·波特的作品,在其每小节中,加了一拍,在其每小节中,加了一个非强拍,看起来效果还很不错
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The first part of the bar is called the downbeat.
每个小节的第一拍叫做重拍
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They just elongated each measure by its same amount so we had harmony changing on each measure, and then in that middle section each chord was changing at the rate of two measures.
但它的基本形式没有改变，而在每个小节中和声都发生了改变，接着在中间的乐节，每个和弦每两小节改变一次。
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So what we want to do now is to begin to think about counting measures, and we're going to do this by staying with this piece of Louis Armstrong here, and we need to be able to count measures so that we can figure out the syntax of music.
现在我们想做的,是大家开始想一下怎么数小节,我们通过,路易斯·阿姆斯特朗的这段乐曲,来做这个活动,我们需要能够数好小节才能弄清楚,音乐的句法
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