as Joyce would say--stream of consciousness, I understand difference temporally. I defer difference. I unfold.
乔伊斯会说,意识流,我只是暂时地理解了差异,推迟了差异,将之打开。
It also includes a little bit further down the page of review and essay by Valerie Larbeau on a new novel by James Joyce called Ulysses.
也包括瓦莱里亚拉布对于詹姆斯乔伊斯所著的《尤利西斯》,《尤利西斯》的一些深入的评论研究。
So I'm going to read just parts, and I'm going to skip around a little bit and stop and start: How to enjoy James Joyce's great novel, Ulysses.
我会读其中一些部分,再读一下一些其他内容,然后再停下来讲:,“怎么欣赏詹姆斯,乔伊斯伟大的小说《尤利西斯》
Now by the same token, James Joyce other Modernists like James Joyce are also contributing to this idea of the independent unity of the work of art.
同样的,一些现代主义作家如,也对艺术作品独立的一致性,这一观点作出了贡献。
In fact, the work is a kind of philosophical odyssey that both imitates Homer, but also anticipates other great odysseys of the human mind, works by those like Cervantes or Joyce.
事实上,这部作品多少像是哲学的探索过程,双双仿效荷马,但也为其它的人性探索过程,预做了准备,作品可参见塞万提斯及乔依斯的著作。
Usually it's not. That was the point that discussed in my chapter comparing him to Houston's film The Dead. Houston's film is filled with sentimentality and nostalgia. Welles generally avoids that, the way James Joyce does.
通常并非如此,那正是我在比较,他的作品与休斯顿的电影《死魂灵》,的章节中所谈到的,休斯顿的电影,充满了多愁善感和怀旧情绪,而威尔斯通常,尽量避免那样做,那是詹姆斯·乔伊斯的方式。
That's the fairy tale again. In a way this is just like the Joyce.
这又是童话了,就像是乔伊斯写的那样。
In Wordsworth or Joyce or Woolf, the dominant is perhaps not formal.
对于华兹华斯,乔伊斯或者伍尔夫,支配方法可能并不明显。
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