我开始反抗，这很荒谬，2个月哪里长。但是我又一下子意识到她是对的。
I started to protest that this was ridiculous, that two months was nothing, that but then I realized that she was right.
如果荒谬种种指令不去理睬，如果作品没有阐释背离与反抗，如果它完全迎合幻念并激起种种希望，那么它就不是无理性的。
If the commandments of the absurd are not respected, if the work does not illustrate divorce and revolt, if it sacrifices to illusions and arouses hope, it ceases to be gratuitous.
对前者来说，这就是意识；对后者来说，这便是反抗。而在这两种状况下，荒谬却已经消失不见了。
For one it is awareness and for the other, revolt; in both cases the absurd has disappeared.
《野草》的哲思现代性还在于浓厚的“荒谬的反抗”现代色彩。
The wise thought modernity of "weeds" still lies in the strong modern color of "absurd resistance".
透过死亡哲学的维度看加缪思想，便会发现加缪“荒谬”思想形成的背景和情境以及他思想的演化和“反抗”的真实内涵。
Through the dimension of philosophy of death, we will comprehend the background or atmosphere of "absurd", the evolvement of Camus' thought and connotation of "revolt".
在加缪的写作中，“荒谬”和“反抗”是一对中心概念。
The "Absurd" and "Revolt" is a pair of core concepts in Camus's thought.
以此为界，他先后构建出“荒谬”的概念和“反抗”的思想。
Within and out of this boundary, he first constructed the concept of "absurd" and then the thought of "revolt".
在加缪的思想中，“荒谬”和“反抗”是一对中心概念。
"Absurdity" and "revolt" is a pair of core concepts in Camus' writings.
“反抗”是他人生哲学的核心，阐明了面对荒谬的世界人应该具备怎样的人生态度。
The"revolt"is the core of his Philosophy of Life, it makes clearly the positive attitude that man should have when facing such an existence.
人活着就是要正视“荒谬”、与“荒谬”相抗争，并在反抗中赋予人生以意义。
The living people should face "absurd", struggle with "absurd", and entrusts the life with significance in the revolution.
人活着就是要正视“荒谬”、与“荒谬”相抗争，并在反抗中赋予人生以意义。
The living people should face "absurd", struggle with "absurd", and entrusts the life with significance in the revolution.
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