再说一次，尽管，新历史主义希望将我们重新带回现实世界，它却不得不承认这种回归得受到语言的限制。
Once again, despite the fact that New Historicism wants to return us to the real world, it nevertheless acknowledges that that return is language bound.
这种方法成为了新历史主义的一大标志。
This technique became kind of a hallmark of the New Historicism.
所以这些领域受到的新历史主义影响最为直接。
So those are fields most directly influenced by this approach.
今天我们介绍另外一种文学批评方式，这种方式曾经及其流行，开始于上个世纪七十年代末八十年代初，叫新历史主义。
So today we turn to a mode of doing literary criticism which was extraordinarily widespread beginning in the late seventies and into the eighties, called the New Historicism.
这些都是福柯研究的核心，并被新历史主义者传承下来，这就是对他们来说奇闻轶事的益处。
So all of this is central to the work of Foucault and is carried over by the New Historicists; hence the interest for them of the anecdotes.
这以新历史主义的方式，隐含了或显化了它们的目的。
All of this is implicit, sometimes explicit, in New Historicist approaches to what they do.
正是对于这种权力和颠覆之间的关系，新历史主义，尤其是谈到现代早期时，所关注和研究的。
It's this relationship between power and subversion that the New Historicism, especially in taking up issues of the Early Modern period, tends to focus on and to specialize in.
下次我们在讲到新历史主义时，还会讲到《托尼的拖车》。
We'll be coming back to Tony again next time in the context of talking about the New Historicism.
现在还不太清楚的是，麦克甘是否将自己看做，一个新历史主义者。
Now it's not wholly clear that Jerome McGann has ever really thought of himself as a New Historicist.
这就是新历史主义,如何重新定义自己，与旧历史主义不同。
You see, that's how it is that the New Historicism wants to define itself over and against the Old Historicism.
我们在讨论杰罗姆麦克甘文章的时候，大家可以看出新历史主义是如何影响浪漫主义研究的。
When we discuss Jerome McGann's essay, you'll see how it influences Romantic studies.
福柯是对新历史主义影响最大的人。
And Foucault is the primary influence on the New Historicism.
“第五代”的命名具有新历史主义特征，在整合中国电影文化地形图的同时完成了“第六代”导演命名的修辞预设。
The name of the fifth generation is characteristic of new historical school, which, in integrating the cultural map of Chinese films, predetermines the name of the "sixth generation" directors.
新历史主义的突破与局限在小说中得到了集中的体现。
The breakthroughs and limits of new historicism are well presented in Fu Sang.
作为一部新历史主义小说，《我的帝王生涯》包含了丰富的文化反思意味。
As a novel of new historical doctrine, My Emperor Career contains plentiful cultural reflections.
新历史主义的文学批评观念建立在对历史本身的反思之上。
The Critical Thoughts of New Historicism lay on the basis of self-introspection of history.
这种理论对中国有关“重写文学史”的讨论，以及新历史主义小说的创作都产生了深远的影响。
The critical method has profoundly influenced on the discussion of literary history rewriting and creating of New Historicism novels.
新历史主义与文化人类学之间可以彼此阐释、对勘发明。
New Historicism and Cultural Anthropology are thick description of each other.
浮士德形象自文本化以来，按照新历史主义的理论规约，就已进入了不断修撰和反复描述的动态建构之中。
Since the image of Faust was first textualized, it has entered a process of constant and repeated description and dynamic construction from the perspective of Neo-historicist theory.
新历史主义文学批评是20世纪最重要的文学批评流派之一，这种批评模式是一种不同于传统历史主义和形式主义的“新”的文学批评理论。
The literary criticism of New Historicism, one of the most important literary criticism school of 20th century, is different from the traditional historicism and formalism.
新历史主义文学评论强调文学文本与历史二者的互动。
New historicism stresses the interaction between both texts and history.
《故事新编》所创造的跨越时空，杂陈古今的独特的历史叙事模式与“新历史主义”小说古今杂糅杂陈、寓庄于谐的历史叙事之间形成了跨越时空的契合。
The unique historical narrative mode which has gone beyond time and space created by New Stories and the indiscriminate historical narration formed the correspondence which goes beyond time and space.
新历史主义不主张简单的重复和没有意义的抄袭。
New Historicism does not in favor the simple duplication and passive plagiarism.
她运用新历史主义描绘点点滴滴的生活，从中体会世事变迁的苍凉和人生的无奈，将个体的生存状态转化为普遍的生存体验。
She USES the new historicism to describe life, realizes the bleakness and helpless of human life and converts individual experience into widespread existence.
本文认为新历史主义的“挪用”不是重复被动的“复制”、“粘贴”和抄袭，也不是完全扭曲、颠覆的臆断和消解。
It thinks, in this paper, that "Appropriation" of New Historicism is not repeat copy, paste and plagiarizes passively; it is also not distortion, subversion assumption and digestion entirely.
第一部分以时间推移为线索，对新历史主义批评这一理论流派进行梳理。
The first part chooses time as clue and makes New Historicism critic carded.
福斯特的生平、小说《印度之行》以及新历史主义理论进行了简要得概述。有关小说《印度之行》的国内外研究现状在该章内容中也有所介绍。
The first chapter makes an introduction ofE. M. Forster, A Passage to India and New Historicism. The overseas and domesticcriticisms will also be discussed respectively.
福斯特的生平、小说《印度之行》以及新历史主义理论进行了简要得概述。有关小说《印度之行》的国内外研究现状在该章内容中也有所介绍。
The first chapter makes an introduction ofE. M. Forster, A Passage to India and New Historicism. The overseas and domesticcriticisms will also be discussed respectively.
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