拉赫松很爱阅读流行小说，尤其是犯罪小说，他读过的小说几乎要用卡车来装。
He consumed popular novels, especially crime fiction, by the cartload.
在拿到手稿以后，小说的编辑工作一直进展很慢，因为拉赫松总是公务繁忙，抽不开身。
The editing went slowly, because Larsson was always overscheduled.
虽然为人处世小心谨慎，但据说拉赫松还算是个颇为幸福的人，而且过着自己想要的生活。
Despite all this, Larsson is said to have been a happy man, who lived the life he wanted.
无辜者的命运任由恶魔来支配，书中类似的情境让人过目难忘，从而使拉赫松的三部曲呈现出绝对论的道德观，不过这同时也是这套小说强大的卖点之一。
You don't forget such episodes-the truly innocent at the mercy of the truly evil-and they lead directly into the absolutist morals of Larsson's books, which may also be a powerful selling point.
拉赫松将小说手稿寄给了piratforlag，这是一家出版了很多犯罪小说的出版社，但那倒霉的编辑从来没有打开过那个寄来的邮包(他们从来不阅读新手作家的手稿)。
Larsson submitted the manuscript to piratforlag, a publishing house with a strong line of crime novels. The editors there never opened the package.
剧情简介：这部瑞典电影改编自已故的斯蒂格·拉赫松（StiegLarsson）的作品千禧年三部曲的最终章，小说的粉丝们大概早已迫不及待等着这部电影在美国上映。 （以下为剧透，小心！）
Synopsis: Those who are fans of the Millennium Trilogy will probably be in line for the American release of this, the third Swedish film adaption of the late Stieg Larsson’s novel series.
拉赫松一开始将三部曲定名为《痛恨女性的男人们》（Men Who HateWomen）（首部曲的瑞典版依然保留着该书名，葛丁表示这是拉赫松一再坚持的结果），且首部曲每个章节的开头都以针对女性犯罪的统计资料作为序言，出现在第三本书中的碑文也与亚马逊女战士有关，等等线索不一而足。
All the sections of the first book are prefaced with statistics on crimes against women. The epigraphs in the third book all have to do with female warriors—the Amazons, and so on.
拉赫松一开始将三部曲定名为《痛恨女性的男人们》（Men Who HateWomen）（首部曲的瑞典版依然保留着该书名，葛丁表示这是拉赫松一再坚持的结果），且首部曲每个章节的开头都以针对女性犯罪的统计资料作为序言，出现在第三本书中的碑文也与亚马逊女战士有关，等等线索不一而足。
All the sections of the first book are prefaced with statistics on crimes against women. The epigraphs in the third book all have to do with female warriors—the Amazons, and so on.
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