• Henry Fonda's lone sceptic holds firm against 11 angry jurors to prevent a possibly wrongful conviction.

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  • The traumatic spirals from Henry Fonda's prison scene spin through Vertigo as well.

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  • The best-selling book was later made into a television movie starring Henry Fonda.

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  • The professor, who looks like a pained Henry Fonda, lectures on immigration, which is an issue for all concerned.

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  • Blackmailing an opponent, the step that Henry Fonda rejects in The Best Man, doesn't bother Jack Stanton in Primary Colors.

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  • During his 40-year career, Houston worked alongside acting greats including Henry Fonda, Robert Mitchum, Gregory Peck, John Wayne, Dirk Bogarde and Clint Eastwood.

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  • But more than any other actor, even Henry Fonda's folksy "Young Mr. Lincoln" (1939), Day-Lewis' version seems like a likable, three-dimensional human being.

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  • In The Best Man, a 1964 adaptation of Gore Vidal's play, Henry Fonda is the thoughtful but philandering candidate whose main rival is the unscrupulous Cliff Robertson.

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  • Which is precisely what happens to the Presidents played by Henry Fonda in Fail-Safe and Peter Sellers in Dr. Strangelove, both released the same year as The Best Man.

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  • He appeared in more than 100 movies in mostly supporting roles from the early 1940s, playing opposite stars including Henry Fonda, John Wayne, James Garner, Elvis Presley and Dan Aykroyd.

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  • Shuffling in the footsteps of Henry Fonda, Raymond Massey, and many others, Daniel Day-Lewis makes a striking Lincoln amused and agonized, instinctively concerned for others yet prone to withdraw into the shell of his own thoughts.

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  • Watching him at work, in the days leading up to the landing, I was reminded of Henry Fonda in one of his early Westerns: squinting at the horizon and chewing over his options while the townsfolk galloped off in a dozen different directions.

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  • There are poised performances, notably that of the pensive engineer (Sergei Makovetsky) who, propelled by conscience, follows in the tracks of Henry Fonda, but there is also a fair dose of grandstanding, not helped by the lengthy, self-dramatizing speeches with which many of the men are encumbered.

    NEWYORKER: (director: Nikita Mikhalkov; 2009)

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