颂（Son）乐形成在1880年，不但是古巴的主流舞曲类型，也是影响整个拉丁美洲舞曲最重要的元素。
颂乐绿草套房酒店 Grass Suites Thonglor
欢乐颂 Ode to Joy ; SONG OF JOY ; An die Freude ; The Sing-Off
快乐颂 Ode to Joy-Theme ; Copying Beethoven
放牛班快乐颂 Faubourg ; Paris 36 Original Soundtrack ; Paris
极乐颂歌 Hymns of the Pureland
欢乐颂德语版 Ode an die Freude
蛙蛙快乐颂 Ode of Joy
叮当欢乐颂 Ding Dong Merrily On High
金颂铜管乐团 Golden Hymn Brass Band
这些小伙子们不玩古巴颂乐里惯用的西班牙吉他或者非洲打击乐器，而是另辟天地——表现西班牙阿斯图里亚斯地区的凯尔特音乐节奏。
Instead of playing the Spanish guitar and African 20 percussion that distinguish son music, however, these guys were 21 channelling the Celtic rhythms of Spain's Asturias region.
展览中的最后一幅作品的灵感来源于弗里德里希•席勒的《欢乐颂》，这也是“贝多芬第九交响乐”最后乐章的基石。
The last image is inspired by Friedrich Schiller's “Ode to Joy”, which is also the basis for the last movement of Beethoven's ninth symphony.
展览中的最后一幅作品的灵感来源于弗里德里希•席勒的《欢乐颂》，这也是“贝多芬第九交响乐”最后乐章的基石。
The last image is inspired by Friedrich Schiller's "Ode to Joy", which is also the basis for the last movement of Beethoven's ninth symphony.
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