雅克·考夫曼就是其中之一。
尽管这完全是种风险,雅克·考夫曼却邀请我们进行陶瓷的自由实践。
Despite this fully endorsed risk, Jacques Kaufmann invites us to a free practice of ceramic.
This is why in the last passage on your sheet from the interview with Stefano Rosso, de Man is willing to venture on a categorical distinction between his own work and that of his very close friend, Jacques Derrida.
那就解释了为什么在纸上的最后一段,选自斯蒂法诺,罗素的采访,德曼愿意在自己的作品与他的密友雅克,德里达的作品,之间一个绝对的差别上冒险。
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