最后探讨了“院体”风格的局限性，对“形似”“格法”的过份强调使绘画语言显得单调而乏神韵。
Finally, we discuss the limitation of the "Academy" style. It over-emphasizes on the "shape" and "method" to make paintings'language seem monotonous and lack charm.
根据史料记载和传世作品分析，笔者以为，林良花鸟画的传统师承有三个主要部分：一是采纳了宫廷绘画中的南宋院体笔法；
According to historical materials and his existing works, this thesis suggests that Lin Liang's flower and bird paintings inherited their style from three major sources.
不仅对院体花鸟绘画有着重要作用，也对文人写意花鸟绘画产生了深远影响。
Additionally, it plays a important role in the painting style in institutes and influence the literary brushwork in flowers and birds greatly.
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