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它隐含在她的系列装置艺术卓品“细胞”之中,在该1990年代作品中,透过半开的门或肮脏的小窗户,可以看到一些小而荒凉的房间。
It lay behind the "Cells", her series of installations in the early 1990s in which small, bleak rooms were viewed through half-opened doors or dirty Windows.
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