随着主体人物的运动，我们再将周围的环境慢慢的引入到镜头之中。
With the movement of the main characters, we will gradually introduce the environment around the lens.
这套“黑暗镜头”系列图片将暴风突击队员、机器人、AT-AT、达斯·维达等角色放置于怪异衰败的景象之中，仿佛他们来自于遥远的另一个银河系。
‘The Dark Lens’ series places stormtroopers, droids, AT-ATs, Darth Vader and more in eerie, blighted landscapes that seem as if they could be from a long time ago in a galaxy far, far away.
玛桑达（Masunda）先生在金沙萨繁忙的十字路口、在旋涡的飞尘里演奏中提琴，这一幕是导演想出来感动人的镜头，但是他们对于音乐的热情不是导演想出来的，声音停住了，可是当他们在车水马龙之中，吹拉弹唱，他们的欢乐是真实的。
A scene of Mr Masunda playing his viola at a busy interchange in the swirling Kinshasa dust is a touch contrived. But the verve with which he attacks the music is not.
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