为此，本篇论文将以对“审美乌托邦”的评价做重新审视，并在此基础上对法兰克福学派艺术理论的基本性质做进一步的认定和澄清为基本议题。
Therefore, this paper will try to reexamine the appraisal of "Aesthetic Utopia", and further recognize and clarify the basic nature of art theory of Frankfurt School as its basic subject.
80年代初，中国学者开始以西方接受美学为参照，重新审视中国文论中有关读者的审美接受思想。
Since the early 1980s, Chinese scholars, in the light of the receptive aesthetics of the west, have begun to rethink of receptive aesthetic thoughts of readers in Chinese writing critics.
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