其次是“犯罪”，以阴谋和悬念为主，和那些经常被人们忽视的“流派小说”如迈克尔·克莱顿、史蒂芬·金或伦德尔等的作品，这些小说以其写作技巧而获得人们的赞扬。
It was followed by Crime, where plot and suspense were king, and those often sidelined as "genre fiction" - Crichton, king or Rendell - were given credit for their craft.
考虑到非小说类的电子书，这些小说不是按其页数传播知识，也就是意味着我们不应当以一本电子书的页数来判断它的价值。
Considering non-fiction ebooks, such ebooks disseminate knowledge not pages, which means that it is not correct to evaluate the price of an ebook according to the number of its pages.
因此，这些小说由现实入手又远离了现实的本质，构筑了一个以精神为基石的理想世界。
This article wants to prove these novels to be set out by the actuality and keep off the actuality, constructing an ideal world finally.
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