媒介趣味是社会分层的反映及结果，具有社会身份的区隔作用。
As the reflection and result of social stratification, media taste has the function of segment in social status.
“后现代之眼”的出现给“水墨艺术”带来了空前的身份解放，同时也使得“水墨艺术”获得超越固有本质和绘画媒介论的陷阱。
The appearance of the "post-modern eye" brought to the "ink painting art" an unprecedented liberation of identity as well as a trap that transcends the intrinsic nature and painting media theory.
它包含了媒介对受众角色、身份和地位的观念意识。
It contains the concept of role, identity and sense of the media to the audience.
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