第一章分析象征诗派的源与流、共性与个性、传播与接受，我国象征派诗语的特点、得失和影响。
The first chapter analyses the source and course, spread and embrace of symbolism poetic language, the character, merits and demerits, the influence of Chinese modern symbolism poetic language.
被称为“诗王”的法国象征派先驱诗人保尔·魏尔伦，对我国的象征派诗人戴望舒的诗歌创作，有很大的影响。
Paul Verlaine, regarded as the forerunner of French symbolism and master-hand in poetry, exerts great influence on the works of Dai Wangshu, who is the representative poet of Chinese symbolism.
这种新的手法既是对传统“立象以尽意”的承袭，也是对西方象征派“纯诗”理论的移植。
This new approach is not only a heritage of traditional "Images for expression", but also a transplantation of Western Symbolism "Pure Poetry" theory.
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