输出的信号被调整至与杨柳树的尖叫声一样的音调，我用各种可能来威胁他，从突然掉落的树枝，一直到荷兰榆树病，什么都有。
The output was adjusted to the same pitch as the tree's screams and I threatened him with everything from falling branches to Dutch elm disease.
如果我们通过调整摄像头使树枝和远山的距离刚好，就能让角色得到正确的压缩。
If we set the camera so that the branches and the hills are at a comfortable distance, we now have these really compressed cardboard-cutout characters.
风速已经被调整，树枝的摆动不再那么剧烈。
Wind has been changed so that branches don't sway so repetitively anymore.
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