诗格,就是诗的格式、体例与诗的风格、格调。
第二节论证《诗格》中“三境说”意境理论的提出及其与佛学的关系。
Section 2 says about the proposition of the theory of imagery in the shi ge and the relationship with Buddhism.
在诗人海一样宽广的心中充满了美妙的旋律,诗韵、诗格、每一个诗步似乎都变成了跳动的音符,激发着他的灵感,牵动着他的诗情。
His poetry is musical and emotional and each syllable sounds like a musical note, from which the poet drew his inspiration of poetry.
他曾将英国诗人西格夫里·萨松的诗《于我,过去,现在以及未来》翻译成中文。
He once translated English poet Siegfried Sassoon's poem In Me, Past, Present, Future Meet into Chinese.
Yes, this, too, is an utterly regular iambic pentameter line: unstressed syllable followed by a stressed syllable, five in a row.
是的,这是个典型的抑扬格五步格诗:,不重读的音节后面一个重读的音,五个成一行。
Up to this point in literary history, only verse written for the theater had been written in unrhymed lines of iambic pentameter, in blank verse.
文学发展到那时候,只有为戏剧写的诗,才会用不押韵的抑扬格五音步,即无韵诗。
The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗罗斯特基本的诗歌韵律,是英国诗歌的基本韵律,也就是无韵诗或不押韵的五音部抑扬格。
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