伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论，是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" Bridges his artistic ontology and hermeneutical ontology on a universal level.
非缘身认知科学计算表征范式是哲学认识论的当代延续，它有其间接和直接的哲学渊源。
The Paradigm of Computer and Representation in the Disembodied Cognitive Science which has indirect and direct Philosophical Origin is the Contemporary Perpetuation of Philosophical Epistemology.
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