本来，唯美追求源自对形式的看重，强调绘画自律，立足于本体论和形式主义。
Originally, locating on ontology and formalism, aestheticism comes from care for the form, and stresses the self-discipline in drawing.
本文意欲揭示绘画作品中光影的澄明与遮蔽，切入断层论的思考，迈入光影形而上意义的返回步伐。
The thesis tries to reveal the clarity and obscuration of lights & shadows in painting works. It ponders the theory of dislocation, and tries to find the metaphysical meanings of lights & shadows.
“后现代之眼”的出现给“水墨艺术”带来了空前的身份解放，同时也使得“水墨艺术”获得超越固有本质和绘画媒介论的陷阱。
The appearance of the "post-modern eye" brought to the "ink painting art" an unprecedented liberation of identity as well as a trap that transcends the intrinsic nature and painting media theory.
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