她热衷于探索视觉叙事的可能性，将真实与虚构的元素结合，探讨记忆、历史与时间等话题。
By experimenting with different ways of visual-storytelling, Yang creates a narrative where fact and fiction coexist to discuss topics such as memory, history, and time.
此功能成为一个品牌的叙事和视觉识别的慈善的关键部分。
This feature became a key part of the brand narrative and visual identity of the Charity.
电影化倾向是当代中国实验话剧文体实验性的一个重要体现，主要表现为电影式的镜头化叙事、蒙太奇结构方式和视觉逻辑等。
One of the experimentation of the experimental drama in contemporary china lies in its filmic tendency manifests as a narration in scenes montage structures and visual logic etc.
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