人们时常将他与20世纪60年代末的意大利观念派艺术（Arte Povera）联系在一起。60年代末，他开始探索艺术家本身，展示他们是如何扮演神圣的艺术巫师及公众表演者的双重角色。
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中兴诗人对江西诗派的反思主要体现在创作观念、诗歌的艺术风格和审美特质等方面。
The review of Zhongxing poets on Jiangxi poetry school embodies the aspects such as concept of writing, artistic style of poem, esthetic characteristic of poem and so on .
勃纳尔的这种艺术追求既是印象派和后印象派艺术的延续，又显现出20世纪现代艺术新观念的端倪。
Not only Bonnard's art style is the continuing of impressionism and post-impressionism, but also is the inkling of new modern-art conception in 20th century.
文章第四部分试从中国传统观念中找到与西方现代派“艺术真实”观的对应。
The fourth part tries to find the counterpart of the Truth of art of western Modernism in Chinese traditional theory.
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