我们尚不清楚表演捕捉日益广泛的应用会给电影业带来怎样的变化。
How the film industry itself will be transformed as performance capture becomes more widespread is unclear.
表演捕捉提出了两个明显的问题：一是捕捉肢体动作，即动作捕捉；一是捕捉面部表情。
Performance capture poses two distinct problems: capturing body movements, known as motion capture, and capturing facial expressions.
使这成为可能的技术就叫做“表演捕捉”，实际上就是用演员的表演来控制虚拟的木偶。
The technology that makes this possible-in effect, using the performance of an actor as a means of operating a virtual puppet-is called "performance capture".
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