二是探索因为爱伦·坡对于“效果美学”论的追求而自然衍生出的“极限性”的创作原则；

The other is the "theory of the limits "which is naturally derived from the pursuit to "the effect of aesthetic" creation principle.

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而模因论、原型彰显、可衍生性、经济性、娱情功能和语境动因则是这一语言现象的主要生成动因。

The memetics, the highlight and derivative, economic, entertaining function and special context are the main motivations of this discourse.

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这种说法至宋代乃衍生出「真心观」与「妄心观」的诤论。

During the Song dynasty, these teachings developed into a debate about "Observing the true mind "and "observing the delusive mind".

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