这虚华的城市,一直在不停地狂奔。
这面具,不仅仅是虚华的外表,它是遗存的人民的呼声,那呼声已经渐渐变得空洞,快要消失。
This visage, no mere veneer of vanity, is it vestige of the vox populi, now vacant, vanished.
Viri是建筑师,Nedra是机智美丽的准艺术家;他们虚华的日子充斥着画家,芭蕾家,作家和葡萄酒的名字。
Viri is an architect, Nedra a witty, beautiful almost-artist; their gilded days are garnished with the names of painters, ballets, authors and wines.
It scoffs at the vanity of all things, including wisdom, and espouses a kind of positive existentialism.
它嘲笑一切事物的虚华,包括智慧,信封绝对的实存主义。
The anger here is directed against the superficial, the flashy, liturgies read by the Laudian priests, but I think it's also being directed at the lean and flashy songs that are being written by Milton's poetic contemporaries, his rival poets.
这里表现出的愤怒,很明显是针对,劳德式牧师们虚伪浮华的礼拜式,但我认为这也是针对这些本身很虚华,由弥尔顿同时代的诗人所写的颂歌。
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