同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？

Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?

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蒙德里安的作品看似简单，但眼球追踪研究证实它们是经过精心创作的，而且简单地旋转下一件作品，就会从根本上改变我们看待它的方式。

Mondrian's works are deceptively simple, but eye-tracking studies confirm that they are meticulously composed, and that simply rotating a piece radically changes the way we view it.

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蒙德里安的《灰树》(1911)。

Piet Mondrian, Gray Tree (1911).

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