通过对《红楼梦》艺术品质的分析、对“红学”流变的分析，发现文学经典化有两极一极是著作的艺术品质，另一极是文本的接受。

Through the analyses of its artistic quality and study history, the author finds there are two pillars for literary canonization: one is artistic quality of works and another its reception.

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第三，是否有作者对世界的个体化理解是区分两种复制的根本。重提艺术复制的意义在于，提醒人们不要忽视了艺术创作的另一个源泉--前人的经验和文本。

The significance of discussing copying in art again is to remind people not to neglect another source of the artistic creation:the experience and texts of the predecessors.

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