公元前8世纪前期，出现了细长的、棱角分明的神庙，以萨摩斯和色蒙（Thermon）两地的神庙为著名。它的高大约100尺，由中央的圆柱支撑，后来改为两根柱子支撑，这种柱廊的风格被广泛采用。
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同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？
Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?
世界最著名的油画《蒙娜·丽莎》的魅力之一，就是蒙娜·丽莎有时看起来笑容可掬，而有时却严肃而面带嘲讽之色。
One of the charms of the world's most famous painting is that she appears radiant one moment and then serious and sardonic the next.
约翰逊夫人则在第二次选举中以37％对63％的得票输给了玛里昂.克兰克，一位来自阿肯色州西南部福尔蒙县的州议员，他背后有法院群众和福伯斯团队的支持。
Mrs. Johnson lost the runoff by 63 to 37 percent to Marion Crank, a state legislator from Foreman in southwest Arkansas, who had the courthouse crowd and the Faubus machine behind him.
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