主要原因可能是图示尺寸或色彩浓度不符合标准。

It mainly due to icon dimension or color depth did not qualify with specified format.

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但是，就像白色一样，它潜入了几乎所有色彩中，并生成变化无穷的灰色——它们的不同在于色调和浓度。

But like white, it is present in almost every color, and forms the endless variety of grays — different in tone and strength.

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在这里，罗斯科的不同浓度的色彩更像是不同程度的内心情绪的延伸。

Here Rothko’s saturated colours feel more plainly like visceral extensions of moods.

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