费得里卡几周前就看过，她说演出的舞台设置与服装都很值得一看。
Federica saw it a couple of weeks ago and she said that the staging and the costumes were really something to see.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
《终局》之短小精悍在于其戏剧语言和舞台设置的高度简化，这已成为作者淋漓尽致自由发挥的媒介，甚至连沉默与空间都产生了直接感染和冲击读者的效果。
In this short play language and stage become devaluated and simplified media that afford him great freedom to use silence and space to directly affect readers.
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